55. Having placed in my mouth sufficient bread for three minutes' chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind, my eyes and face assuming a vacant and preoccupied expression. —Flann O'Brien, At Swim-Two-Birds (1939)
What would the world be, once bereft of wet and wildness?
Let them be left, O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.
-- Gerard Manley Hopkins
Tuesday, January 31, 2006
100 Best First Lines from Great (and Not-Great) Novels
Monday, January 30, 2006
like a diamond in the sky
Last Thoughts On Woody Guthrie
When yer head gets twisted and yer mind grows numb
When you think you're too old, too young, too smart or too dumb
When yer laggin' behind an' losin' yer pace
In a slow - motion crawl or life's busy race
No matter what yer doing if you start givin' up
If the wine don't come to the top of yer cup
If the wind's got you sideways with with one hand holdin' on
And the other starts slipping and the feeling is gone
And yer train engine fire needs a new spark to catch it
And the wood's easy findin' but yer lazy to fetch it
And yer sidewalk starts curlin' and the street gets too long
And you start walkin' backwards though you know its wrong
And lonesome comes up as down goes the day
And tomorrow's mornin' seems so far away
And you feel the reins from yer pony are slippin'
And yer rope is a-slidin' 'cause yer hands are a-drippin'
And yer sun - decked desert and evergreen valleys
Turn to broken down slums and trash - can alleys
And yer sky cries water and yer drain pipe's a - pourin'
And the lightnin's a - flashing and the thunder's a - crashin'
And the windows are rattlin' and breakin' and the roof tops a - shakin'
And yer whole world's a - slammin' and bangin'
And yer minutes of sun turn to hours of storm
And to yourself you sometimes say
"I never knew it was gonna be this way
Why didn't they tell me the day I was born"
And you start gettin' chills and yer jumping from sweat
And you're lookin' for somethin' you ain't quite found yet
And yer knee - deep in the dark water with yer hands in the air
And the whole world's a - watchin' with a window peek stare
And yer good gal leaves and she's long gone a - flying
And yer heart feels sick like fish when they're fryin'
And yer jackhammer falls from yer hand to yer feet
And you need it badly but it lays on the street
And yer bell's bangin' loudly but you can't hear its beat
And you think yer ears might a been hurt
Or yer eyes've turned filthy from the sight - blindin' dirt
And you figured you failed in yesterdays rush
When you were faked out an' fooled while facing a four flush
And all the time you were holdin' three queens
And it's makin you mad, it's makin' you mean
Like in the middle of Life magazine
Bouncin' around a pinball machine
And there's something on yer mind you wanna be saying
That somebody someplace oughta be hearin'
But it's trapped on yer tongue and sealed in yer head
And it bothers you badly when your layin' in bed
And no matter how you try you just can't say it
And yer scared to yer soul you just might forget it
And yer eyes get swimmy from the tears in yer head
And yer pillows of feathers turn to blankets of lead
And the lion's mouth opens and yer staring at his teeth
And his jaws start closin with you underneath
And yer flat on your belly with yer hands tied behind
And you wish you'd never taken that last detour sign
And you say to yourself just what am I doin'
On this road I'm walkin', on this trail I'm turnin'
On this curve I'm hanging
On this pathway I'm strolling, in the space I'm talking
In this air I'm inhaling
Am I mixed up too much, am I mixed up too hard
Why am I walking, where am I running
What am I saying, what am I knowing
On this guitar I'm playing, on this banjo I'm frailin'
On this mandolin I'm strummin', in the song I'm singin'
In the tune I'm hummin', in the words I'm writin'
In the words that I'm thinkin'
In this ocean of hours I'm all the time drinkin'
Who am I helping, what am I breaking
What am I giving, what am I taking
But you try with your whole soul best
Never to think these thoughts and never to let
Them kind of thoughts gain ground
Or make yer heart pound
But then again you know why they're around
Just waiting for a chance to slip and drop down
"Cause sometimes you hear'em when the night times comes creeping
And you fear that they might catch you a - sleeping
And you jump from yer bed, from yer last chapter of dreamin'
And you can't remember for the best of yer thinking
If that was you in the dream that was screaming
And you know that it's something special you're needin'
And you know that there's no drug that'll do for the healin'
And no liquor in the land to stop yer brain from bleeding
And you need something special
Yeah, you need something special all right
You need a fast flyin' train on a tornado track
To shoot you someplace and shoot you back
You need a cyclone wind on a steam engine howler
That's been banging and booming and blowing forever
That knows yer troubles a hundred times over
You need a Greyhound bus that don't bar no race
That won't laugh at yer looks
Your voice or your face
And by any number of bets in the book
Will be rollin' long after the bubblegum craze
You need something to open up a new door
To show you something you seen before
But overlooked a hundred times or more
You need something to open your eyes
You need something to make it known
That it's you and no one else that owns
That spot that yer standing, that space that you're sitting
That the world ain't got you beat
That it ain't got you licked
It can't get you crazy no matter how many
Times you might get kicked
You need something special all right
You need something special to give you hope
But hope's just a word
That maybe you said or maybe you heard
On some windy corner 'round a wide - angled curve
But that's what you need man, and you need it bad
And yer trouble is you know it too good
"Cause you look an' you start getting the chills
"Cause you can't find it on a dollar bill
And it ain't on Macy's window sill
And it ain't on no rich kid's road map
And it ain't in no fat kid's fraternity house
And it ain't made in no Hollywood wheat germ
And it ain't on that dimlit stage
With that half - wit comedian on it
Ranting and raving and taking yer money
And you thinks it's funny
No you can't find it in no night club or no yacht club
And it ain't in the seats of a supper club
And sure as hell you're bound to tell
That no matter how hard you rub
You just ain't a - gonna find it on yer ticket stub
No, and it ain't in the rumors people're tellin' you
And it ain't in the pimple - lotion people are sellin' you
And it ain't in no cardboard - box house
Or down any movie star's blouse
And you can't find it on the golf course
And Uncle Remus can't tell you and neither can Santa Claus
And it ain't in the cream puff hair - do or cotton candy clothes
And it ain't in the dime store dummies or bubblegum goons
And it ain't in the marshmallow noises of the chocolate cake voices
That come knockin' and tappin' in Christmas wrappin'
Sayin' ain't I pretty and ain't I cute and look at my skin
Look at my skin shine, look at my skin glow
Look at my skin laugh, look at my skin cry
When you can't even sense if they got any insides
These people so pretty in their ribbons and bows
No you'll not now or no other day
Find it on the doorsteps made out - a paper mache
And inside it the people made of molasses
That every other day buy a new pair of sunglasses
And it ain't in the fifty - star generals and flipped - out phonies
Who'd turn yuh in for a tenth of a penny
Who breathe and burp and bend and crack
And before you can count from one to ten
Do it all over again but this time behind yer back
My friend
The ones that wheel and deal and whirl and twirl
And play games with each other in their sand - box world
And you can't find it either in the no - talent fools
That run around gallant
And make all rules for the ones that got talent
And it ain't in the ones that ain't got any talent but think they do
And think they're foolin' you
The ones who jump on the wagon
Just for a while 'cause they know it's in style
To get their kicks, get out of it quick
And make all kinds of money and chicks
And you yell to yourself and you throw down yer hat
Sayin', "Christ do I gotta be like that
Ain't there no one here that knows where I'm at
Ain't there no one here that knows how I feel
Good God Almighty
THAT STUFF AINT REAL"
No but that ain't yer game, it ain't even yer race
You can't hear yer name, you can't see yer face
You gotta look some other place
And where do you look for this hope that yer seekin'
Where do you look for this lamp that's a - burnin'
Where do you look for this oil well gushin'
Where do you look for this candle that's glowin'
Where do you look for this hope that you know is there
And out there somewhere
And your feet can only walk down two kinds of roads
Your eyes can only look through two kinds of windows
Your nose can only smell two kinds of hallways
You can touch and twist
And turn two kinds of doorknobs
ou can either go to the church of your choice
Or you can go to Brooklyn State Hospital
And though it's only my opinion
I may be right or wrong
You'll find them both
In the Grand Canyon
At sundown
Sunday, January 29, 2006
Saturday, January 28, 2006
Friday, January 27, 2006
Thursday, January 26, 2006
Names for Your Transgendered Baby
Sharonald
Jennifred
Pablarbara
Stevelyn
Gearl
Sethel
Bruth
Jimmy Marie
Half Nelson
(from McSweeney's)
Wednesday, January 25, 2006
crazy/fun/stupid
i like getting small
(click)
hmm
When you die, if you get a choice between going to regular heaven or pie heaven, choose pie heaven. It might be a trick, but if it's not, mmmmmmm, boy.
The crows seemed to be calling his name, thought Caw.
this is cool, er hot
Tuesday, January 24, 2006
talk about judicial activism
"I started this lawsuit because I wanted to deal the final blow against the Church, the bearer of obscurantism and regression," Cascioli told Reuters.
Monday, January 23, 2006
oh
But perhaps I'm looking at it all wrong. For those of you who may be in a similar situation, read this and see if doesn't change the way you think about how you view the winter. Once again, Thoreau reminds us that the beauty of the world is merely a matter of perspective.
"When some rare northern bird like the pine grosbeak is seen thus far south in the winter, he does not suggest poverty, but dazzles us with his beauty. There is in them a warmth akin to the warmth that melts the icicle. Think of these brilliant, warm-colored, and richly warbling birds, birds of paradise, dainty-footed, downy-clad, in the midast of a New England, a Canadian winter. The woods and fields, now somewhat solitary, being deserted by their more tender summer residents, are now frequented by these rich but delicately tinted and hardy northern immigrants of the air. Here is no imperfection to be suggested. The winter, with its snow and ice, is not an evil to be corrected. It is as it was designed and made to be, for the artist has had leisure to add beauty to use. My acquaintances, angels from the north. I had a vision thus prospectively of these birds as I stood in the swamps. I saw this familiar—too familiar—fact at a different angle, and I was charmed and haunted by it. But I could only attain to be thrilled and enchanted, as by the sound of a strain of music dying away. I had seen into paradisaic regions, with the air and sky, and I was no longer wholly or merely a denizen of this vulgar earth. Yet had I hardly a foothold there. I was only sure that I was charmed, and no mistake. It was only necessary to behold thus the least fact or phenomenon, however familiar, from a hair’s breadth aside from our habitual path or routine, to be overcome, enchanted by its beauty and significance. Only what we have touched and worn is trivial,—our scurf, repetition, tradition, conformity. To perceive freshly, with fresh senses, is to be inspired. Great winter itself looked like a precious gem, reflecting rainbow colors from one angle."
attention tightwads
shoot, score
of jumping spiders and post-it notes
Friday, January 20, 2006
Bush's text adventure
> EXAMINE CHAIRS
They are two several chairs arranged around the center of the room, along with two couches. Under one couch you find Clinton's shoes.
> FILL SHOES
You are unable to fill Clinton's shoes.
Thursday, January 19, 2006
finally, some sanity
Wednesday, January 18, 2006
Thought of the day
"One day two young woman—a Sunday—stopped at the door of my hut and asked for some water. I answered that I had no cold water but I would lend them a dipper. They never returned the dipper, and I had a right to suppose they came to steal. They were a disgrace to their sex and to humanity. Pariahs of the moral world. Evil spirits that thirsted not for water but threw the dipper into the lake. Such as Dante saw. What the lake to them but liquid fire and brimstone? They will never know peace till they have returned the dipper. In all the worlds this is decreed."
Thursday, January 12, 2006
pitching a no-hitter on lsd
A bit later, how long exactly he can't recall, he came across Mitzi flipping through a newspaper. She scanned for a moment, then noticed something.
"Dock," she said. "You're supposed to pitch today."
Ellis focused his mind. No. Friday. He wasn't pitching until Friday. He was sure.
"Baby," she replied. "It is Friday. You slept through Thursday."
Ellis remained calm. The game would start late. Ample time for the acid to wear off. Then it struck him: doubleheader. The Pirates had a doubleheader. And he was pitching the first game. He had four hours to get to San Diego, warm up and pitch. If something didn't happen in the interim, Dock Philip Ellis, age 25, was about to enter a 50,000-seat stadium and throw a very small ball, very hard, for a very long time, without the benefit of being able to, you know, feel the thing.
Which, it turns out, was one of the least crazy things that happened to him on that particular day.
Tuesday, January 10, 2006
flight site
wonderful
"In the Evolution vs. Creationism debate, it is important to be able to spot all the logical fallacies that Creationists tend to throw around. This essay covers many bare essentials of logical thinking, as well as ways to critically evaluate an argument. The logical fallacies listed here are the ones most often used by Creationists, although Creationists have, to date, used almost every single logical fallacy in existence to 'prove' their case. Each fallacy will have its own little paragraph, describing it, why it is fallacious and how to counter it. Enjoy!"
Monday, January 09, 2006
look ma--one hand only
Sunday, January 08, 2006
sure sure
Saturday, January 07, 2006
THIS IS NO GAME
This is no game. You might think this is a game, but, trust me, this is no game.
This is not something where rock beats scissors or paper covers rock or rock wraps itself up in paper and gives itself as a present to scissors. This isn’t anything like that. Or where paper types something on itself and sues scissors.
This isn’t something where you yell “Bingo!” and then it turns out you don’t have bingo after all, and what are the rules again? This isn’t that, my friend.
This isn’t something where you roll the dice and move your battleship around a board and land on a hotel and act like your battleship is having sex with the hotel.
This isn’t tiddlywinks, where you flip your tiddly over another player’s tiddly and an old man winks at you because he thought it was a good move. This isn’t that at all.
This isn’t something where you sink a birdie or hit a badminton birdie or do anything at all with birdies. Look, just forget birdies, O.K.?
Maybe you think this is all one big joke, like the farmer with the beautiful but promiscuous daughter. But what they don’t tell you is the farmer became so depressed that he eventually took his own life.
This is not some brightly colored, sugarcoated piece of candy that you can brush the ants off of and pop in your mouth.
This is not playtime or make-believe. This is real. It’s as real as a beggar squatting by the side of the road, begging, and then you realize, Uh-oh, he’s not begging.
This is as real as a baby deer calling out for his mother. But his mother won’t be coming home anytime soon, because she is drunk in a bar somewhere.
It’s as real as a mummy who still thinks he’s inside a pyramid, but he’s actually in a museum in Ohio.
This is not something where you can dress your kid up like a hobo and send him out trick-or-treating, because, first of all, your kid’s twenty-three, and, secondly, he really is a hobo.
All of this probably sounds oldfashioned and “square” to you. But if loving your wife, your country, your cats, your girlfriend, your girlfriend’s sister, and your girlfriend’s sister’s cat is “square,” then so be it.
You go skipping and prancing through life, skipping through a field of dandelions. But what you don’t see is that on each dandelion is a bee, and on each bee is an ant, and the ant is biting the bee and the bee is biting the flower, and if that shocks you then I’m sorry.
You have never had to struggle to put food on the table, let alone put food on a plate and try to balance it on a spoon until it gets to your mouth.
You will never know what it’s like to work on a farm until your hands are raw, just so people can have fresh marijuana. Or what it’s like to go to a factory and put in eight long hours and then go home and realize that you went to the wrong factory.
I don’t hate you; I pity you. You will never appreciate the magnificent beauty of a double rainbow, or the plainness of a regular rainbow.
You will never grasp the quiet joy of holding your own baby, or the quiet comedy of handing him back to his “father.”
I used to be like you. I would put my napkin in my lap, instead of folding it into a little tent over my plate, like I do now, with a door for the fork to go in.
I would go to parties and laugh—and laugh and laugh—every time somebody said something, in case it was supposed to be funny. I would walk in someplace and slap down a five-dollar bill and say, “Give me all you got,” and not even know what they had there. And whenever I found two of anything I would hold them up to my head like antlers, and then pretend that one “antler” fell off.
I went waltzing along, not caring where I stepped or if the other person even wanted to waltz.
Food seemed to taste better back then. Potatoes were more potatoey, and turnips less turnippy.
But then something happened, something that would make me understand that this is no game. I was walking past a building and I saw a man standing high up on a ledge. “Jump! Jump!” I started yelling. What happened next would haunt me for the rest of my days: the man came down from the building and beat the living daylights out of me. Ever since then, I’ve realized that this is no game.
Maybe one day it will be a game again. Maybe you’ll be able to run up and kick a pumpkin without people asking why you did that and if you’re going to pay for it.
Perhaps one day the Indian will put down his tomahawk and the white man will put down his gun, and the white man will pick up his gun again because, Ha-ha, sucker.
One day we’ll just sit by the fire, chew some tobacky, toast some marshmackies, and maybe strum a tune on the ole guitacky.
And maybe one day we’ll tip our hats to the mockingbird, not out of fear but out of friendliness.
If there’s one single idea I’d like you to take away from this, it is: This is no game. The other thing I’d like you to think about is, could I borrow five hundred dollars?
(Author’s Note: Since finishing this article, I have been informed that this is, in fact, a game. I would like to apologize for everything I said above. But please think about the five hundred dollars.)